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"Elevation I"

 


"New direction"

 


"Inside out"

 


"Block"

 


"Release I"

 


"Elevation II"

 


"Wall"



 

 


 



 

 
 

 


 


 


 

 


 
 

 

 
 

 

 

 
 





 

 

 
 



 
 



 
 

 

 
 



 
 
 
 
 
 
 
 
 

John Fitzsimons               

 

 


John Fitzsimons graduated from the Dun Laoghaire Institute of Design, Art and Technology (IADT) with an honours diploma in fine art printmaking in 1995, and an honours degree in fine art in 2000. He was a member of the Graphic Studio Dublin from 1995 to 2008, where he regularly showed work as well as in various other galleries around Ireland. In 1998 he was selected along with three other artists to show in an exhibition in Sweden which was a collaboration of their print studio in Stockholm and the Graphic print studio in Dublin. Since 2006, John has been working for Stoney Road Press editioning art. He also teaches a painting course with the VEC in Lucan. 

"Conversion" is John's first solo exhibition. His work as a painter is influenced by his involvement in print: using paint on paper (albeit canvas-like cotton paper) as a medium, John works with repetition a lot and employs paper to peel back layers of paint. John also finds that the process-based techniques of print making - sometimes seen as limiting by some - keep him grounded particularly with regard to colour and scale as is evident in the painting shown in this exhibition.


Amongst the artists that he has had the privilege to work with and learn from at Stoney Road Press, john has been particularly influenced by Patrick Scott and Brian O'Doherty.

 





Artist's statement: My work tends to be about me, things that I go through in life are reflected in the work I make. In my early days as a printmaker I used to draw monsters. The monsters, although I never really talk about my work, were about anxiety and fear that I had. I am now much more positive and have made real changes in my life. This work for me is about those changes. I have used a cube as a symbol of something insular and contained and have disassembled it and let it open out to reflect progression in my life. The colour I use also shows an optimism. There is still a very controlled aspect to the work which I think holds on to some of the issues of control and anxiety I still have.

Click here to read the The Irish Art Blog's article on John.